Hi I'm Cat Finlayson; I started face painting in 2006 & was lucky
enough to win UK Face Painter of the Year & 5th in the World
Face Awards in 2007. That year I painted my 1st body too, and got
hooked. I quit science and since then face & body art has become my sole
income as well as hobby. The last few years I started placing in/ winning body
competitions too (e.g. the Welsh Festival, Phizzog, Body Factory, Paintopia),
and I love it.
I tend to keep a body-paint kit as well as a face paint kit as I prefer
slightly different brands/effect for each side of the art. I have tested/ tried
most products in the years. I now mostly stick to Grimas, Paradise and Kryolan
for my face kit, with some DFX/ TAG split-cakes (mainly DIY'd as I use them up
so fast – my almost-full-time summer booking is 70 faces daily). My body kit is
mostly DFX and Grimas as I find they seem to 'stay' slightly better on bodies
where they get rubbed more etc.
I recently had a last minute booking to paint 200+ dancers faces for
the launch of a Norwich Dance School, Dynamic Dance, which also doubled as a
fund-raiser for Meningitis. There were 2 performances, matinee & evening,
with several different 'acts' in each, repeated,and a whole-cast stage call at
the end.
About 100 of the dancers had to be simple ½ -face robots in silver with
black & white line-work, with several needing to wipe it off between dances
and then get it re-applied for the final performances. The rest needed simple
spiderwebs in black, or silver & black gothic swirly eyes.
I haven't liked most brands of silver I have tried, the only truly
metallic look being when I mix Graftobian or Mehron metallic powders with their
matching liquids for the 'living statue' look we often get asked for. But both
brand's mixers were not great on faces near eyes etc- I usually use their
powders dry instead which is a bit messy. Kryolan's metallics are good, but not
so much their silver, and the last Wolfe silver I had didn't work at all (not
sure if it was a bad batch though).
So, I thought I'd give Superstar a try and ordered the silver & the
silver glitter. At the event I had a sort of production-line going, as its
faster when doing lots of identical faces. I'd sponge 3 at a time silver, then
do all the black (paradise) line-work, then the white highlights – as you can
see very basic as I only had a couple of hours before the matinee to do the 200
dancers in! It was a nice easy booking to carry kit in for though – Superstar
silvers, Paradise black, Grimas & DFX white being my only paints!
I found the Superstar quite soft compared to some brands, but it gives
a beautifully shiny silver coat when applied with enough water – thicker when
damper. The more sheer drier application was also quite effective although its
slightly more difficult to get a smooth pale base than it is when using Kryolan
or Snazaroo sparkle white, for example.
Superstar seemed to last quite well, even on active sweaty faces, as I
only had a couple of the 100 robots come back to get 'fixed' between dances.
The finale shots from the 2nd performance show it had blurred a bit
but the silver was still shiny, and the kids all said it felt fine on too. It
washed off easily just with soap & paper towels in the changing room loos,
as no trace was left on the dancers who I had to decorate in other styles for
their other acts.The only drawback I can see is the smell – I really do not
like the 'perfume' added to the paint. Its quite sweet, sickly and very
noticeable. Superstar have removed it from the new batches I hear (indeed my
original Ziva Blue had no smell but my new bigger blue still has it).
Superstar Ziva blue has now replaced my fave sparkly blues in my face
kit, and added a beautiful sheen (darkened with DFX blue) I used on “Queen'
Laurence at Painswick Art Couture. I use it as a base where I sued to use DFX
metallic baby blue, a Kryolan Interferenz or Snaz Sparkle Turquoise. It can be
a little patchier when dry but then it is a stronger/ darker shade so thin
areas let more skin show through.
I made some split cakes with shades of brown and those are looking good
so far; I'll see if they last as long as DFX etc splits do over the next few
weeks. It is definitely 1 of the
'softer' brands – if you transfer paints between pots of make split cakes you
will know what I mean. Kryolan (& Paradise metallics) tend to crumble, most
UVs are crumbs, some matt colours in most brands can be extra-hard & very
very difficult to cut up. Superstar has a 'chewy' texture like a stiff DFX
metallic/ Grimas white or a softer DFX non-metallic, if that makes sense. Which
means its perfect for cutting up!
I tried the Superstar Line white to replace my beloved DFX white. I
work with it 'wet' – at the start of the day I plop a chunk of DFX white into
an empty pot in my palette, squirt on some water, and without mixing, usually
end up with a lovely creamy liquid DFX white ready to use when needed. I tried
this with the Superstar line white and it did that sort of slightly 'curdled'
clumpy liquid thing that's more like the texture Grimas white/ paradise goes if
you try to make them liquid. It also seems to clog up and plump up my brush,
which I didn't like – the DFX keeps the brush slim and ready to do fine lines
with (sorry hard to describe this). However, the liquid Superstar line white
DID seem to be nearly as strong as DFX over other colours (shown here on my arm
over Superstar Ziva blue – DFX to the right,Superstar to the left). Not quite
as opaque, but better than Grimas/ Paradise white.
So overall – naff smell, (glad that is going), gorgeous metallics, a close 2nd to
non-bleeding-through-colours line-work favourites...... a good addition to your
kit!
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